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‘Tejas’ Review: It’s Hard to Believe An Air Combat Thriller Can Be Such a Fairy Tale

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When in doubt, suppose about the country – that is the mantra that Tejas, written and directed by means of Sarvesh Mewara and produced by means of Ronnie Screwvala’s RSVP Movies, harps upon. This is a movie that religiously adheres to that axiom. It is usually in doubt and it in no way lets the state slip out of its thoughts.

But attempt as tough as it may, Tejas comes a entire cropper – it is a dead-on-arrival cinematic consignment that does no justice at all to the nation, the Air Force or the medium. It is an insufferably bland thriller that believes that peddling patriotism can assist it paper over its pockmarks.

Toplined with the aid of a definitely out of her depth Kangana Ranaut in the function of an Indian Air Force pilot who flourishes on hazardous missions and empty platitudes, Tejas is a precariously low-flying car that by no means gathers any velocity. It lurches from one crashlanding to another.

It have to have taken some doing for the makers to turn an aviation actioner into such a stilted, insipid affair. The excruciatingly vacuous writing – the strains that the characters spout are proper out of a how-real-people-should-not-speak handbook, is aggravated manifold by means of the terribly sloppy performing all around.

Ranaut’s eponymous persona is a ‘rockstar’ in the guise of a fighter pilot who flies the single-engine mild fight plane that shares her name. Well, well, Tejas piloting a Tejas in a mission known as Tejas in a movie titled Tejas – how dramatic!

The movie has a scene in which the attraction of a popstar (Varun Mitra, who suggests up for a bit, is projected as the heroine’s romantic activity and then is viewed no extra due to the fact the female he desires to woo has a long way extra vital matters on her mind) is eclipsed by using the air of mystery that surrounds Wing Commander Tejas Gill (Ranaut). She is mobbed through autograph-hunting ladies who seem proper thru the preening crooner.

That, in a metafictional sense, is the sort of movie Tejas is. Nobody is allowed to steal the heroine’s thunder here. This is a Kangana Ranaut exhibit all the way and that is the film’s largest undoing. There isn’t always a single fleeting second – forget about an complete sequence – in Tejas in which the lead performer is convincing.

Ranaut used to be infinitely higher as Rani Lakshmibai (in Manikarnika: The Queen of Jhansi) than she is as an intrepid Air Force pilot. That, as is obvious, is pronouncing a lot. The persona she plays, all spunk and no substance, has a single dimension. She is aware of no doubts.

From her days in the Air Force academy to the volatile mission she undertakes in order to store an Indian undercover agent held hostage in Mir Ali city in Pakistan’s Khyber Pakhtunkhwa province, Tejas Gill is a fount of special Genius and unshakeable confidence. So, the personality has no arc to talk of. She starts the place she ends.

Tejas Gill’s supportive mother and father pop up in a few scenes however the two-hour movie has no house for the story of the protagonist’s developing up years. This ain’t no Gunjan Saxena: The Kargil Girl. All that Tejas lets on is that the female made up her thinking about turning into a fighter pilot when Prime Minister Atal Behari Vajpayee named India’s fighter plane Tejas.

The female-led movie touches upon the gender theme all right, however solely cursorily. The guys take a backseat as two ladies lead the cost in the climactic sequences. That is the factor that the movie tries to make with all its may however muffs up its lines.

Tejas plunges straight into a sortie that Tejas makes in the corporation of Afiya (Anshul Chauhan, the solely member of the solid who comes somewhere making an impression) to rescue an Air Force officer whose airplane has crashed in the sea and his physique has washed up on a prohibited island inhabited by way of the covered Sentinelese tribe.

Tejas refuses to again off notwithstanding orders from higher-ups and pulls off a daring rescue act, shaking off an assault with the aid of the tribals in the process. She is struck by means of arrows. But that is no extra than a expert hazard that is shrugged off except a good deal ado.

For their daring and selfless effort, she and Afiya – the title would possibly ring a bell however her non secular identification is fiercely guarded – face an inner inquiry. But considering that it is Kangana Ranaut who is in the line of fire, you comprehend that she is going to sail via unscathed.

Yes, that is the stage at which Tejas flies. Such are the flights of fancy that the exasperatingly listless movie indulges in that barely 30 minutes in, it turns into a bit of a slog that is difficult to take a seat through. Somebody says, Hum uddte uddte jaayenge, desh ke kaam aayenge. The protagonist takes that to heart. There is no stopping her from right here on.

As Tejas sits at the controls of her first solo trial sortie, the trainer asks her what she can see. The runway, she replies. Look harder, the man says. The woman pauses and pipes up: I can see the street that will assist me serve the nation. Spot on! She is geared up for greater things.

The film, unfortunately, by no means is. It crams in the whole lot that you would anticipate from a drama of this nature. In 2008 Mumbai, terrorists interrupt a satisfied household dinner. A shrieking, smirking mastermind harboured by means of Pakistan wishes to make sure the barbadi of Hindustan.

Also appear out for a ferocious executioner nicknamed Sar Qalam (meaning the act of decapitation) due to the fact of his talent at slitting the throats of hostages. But now not to worry, the enemy troopers that the protagonist has to deal with are a bunch of bumbling, easy-to-hoodwink men.

And for properly measure, there is a spanking new temple that faces the risk of an assault from three jihadists who sneak in to sabotage the inauguration of the grand edifice.

Logic is misplaced in the deafening din of the fight aircraft. Tejas is a movie that flies into hard climate from the phrase go and by no means manages to locate a way out of it. An air fight thriller has in no way been so frustratingly airy-fairy.

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Victoria Team: Setting the Standard of Resilience and Innovation for Miss Supranational 2024

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Malaposka, Poland – April 15, 2024 – As the Miss Supranational 2024 pageant approaches, Denmark’s Victoria Team emerges as the epitome of resilience and innovation, setting new standards in pageant preparation. With an unwavering commitment to excellence and a penchant for groundbreaking ideas, Victoria Team is poised to redefine success on the global stage.

Under the visionary leadership of National Director Lisa Lents CEO and Creative Director Nicole Rodrigues, the Victoria Team embodies a spirit of perseverance and forward-thinking. Their approach blends tradition with innovation, ensuring Denmark’s representative stands out amidst fierce competition.

At the heart of their strategy lies a dedication to continuous improvement and adaptability. Pageant Q&A coaches Jimmy Langhoff, Anjli Raut, and Carlos instill confidence and clarity in communication, while Fashion Director Rocky Star pushes boundaries with avant-garde designs that showcase Denmark’s unique style.

The Victoria Team’s social media prowess is unparalleled, led by Social Media Managers Nishant, Utkarsh, and their dynamic team. Through strategic content and engaging campaigns, they harness the power of digital platforms to amplify Denmark’s voice and message worldwide.

In the face of challenges, Victoria Team remains steadfast, thanks to the resilience instilled by PR Managers Maryna Savchenko, John Lumansi, and Amber. Their ability to navigate diverse cultural landscapes ensures Denmark’s story resonates with audiences across Europe, Africa, and beyond.

Behind the scenes, photographers Tina Patni, Steen Vlad, Veronika Hobson, MADDY, Jonas Jensen, Rozen Antonio, Jan Hammerstad, Anastasia Ranjinskaya, and Jaffrin capture moments of strength and grace, while Gym/Fitness Coaches Daniela, Morgan Morgan, and Carlos sculpt not only bodies but also minds, fostering a mindset of perseverance and determination.

Catwalk Coaches MAI-BRITT CATRINE, Alesia Raut, Anea Rasch, and Camilla Dalsgaard refine Denmark’s representative into a vision of confidence and grace, while Branding & Strategy expert Thom Brodeur ensures every aspect of her persona reflects resilience and innovation.

With Personal Stylist Steve Anozie and Makeup Artists Alesya Karunets, Anam Nazmi, Lanah Hamad, and Bianca Louzado adding the final touches of elegance and sophistication, Denmark’s representative emerges as a beacon of resilience, consistency, and innovation.

As the world watches with anticipation, the Victoria Team remains steadfast in their mission to redefine success, setting new benchmarks for excellence in pageantry. Stay tuned for updates as Denmark’s journey unfolds.

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Star of “A Christmas Story,” Peter Billingsley, resolves the controversy surrounding “Die Hard” holiday films

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Star of A Christmas Story, Peter Billingsley, resolves the controversy surrounding Die Hard holiday films

Star of “A Christmas Story,” Peter Billingsley, is putting up a strong argument in the age-old argument over whether or not “Die Hard” qualifies as a Christmas film.

His reasoning was so strong that he was able to persuade “Die Hard” cinematographer Jan de Bont, who wasn’t entirely convinced that the action film starring Bruce Willis is a holiday classic despite its mid-summer release date.

“Can we have a healthy debate? Can we make the argument to you of why it’s a Christmas movie?” Billingsley proposed to de Bont on a recent episode of his podcast “A Cinematic Christmas Journey.”

He continues, saying that the movie’s main setting is a Christmas party and that “production design put Santas everywhere.” Of course, there’s the scene where Willis’s character John McClane “decorates the dead body and puts it into an elevator,” which Billingsley refers to as the “iconic ‘ho ho ho’ moment.”

“But I’ll leave you with this,” Billingsley told de Bont. “Most importantly, I think it embodies the themes of Christmas of acceptance, forgiveness, love and family.”

With a nod of approval, de Bont smiles and says, “Okay, I’m sold now.”

In a video that Billingsley and his co-host Steve Byrne shared on Instagram, they can be seen grinning and laughing as de Bont concedes their disagreement.

“Die Hard,” which starred Willis, Bonnie Bedelia, and the late Alan Rickman, debuted in July 1988. It tells the story of a New York City police officer who tries to rescue hostages who are kidnapped by terrorists on Christmas eve at a party.

Willis, on the other hand, views “Die Hard” as a very different kind of film.

“Die Hard is not a Christmas movie!” He proclaimed during his 2018 Comedy Central Roast. “It’s a Bruce Willis movie, so yippee-ki-yay… and good night!”

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Katrina Kaif ‘threatened’ Vicky Kaushal when she asked him to return to film set two days after their marriage: ‘Shaadi rehne hi do’

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Bollywood stars Vicky Kaushal and Katrina Kaif‘s 2021 wedding ceremony in Rajasthan captured hearts with its dreamy charm. Recently, Vicky recalled how the shoot of Zara Hatke Zara Bachke collided with his marriage. The actor published that he had to take offs from Zara Hatke Zara Bachke shoot to attend his wedding. However, when the makers of the movie requested him to return to the set inside two days of marriage, Katrina issued a hazard and pushed him to remain longer with her.

Speaking about the time he used to be taking pictures for Zara Hatke Zara Bachke, Vicky instructed media, “I have completed half of of the film’s capturing earlier than my marriage and then I took off for my marriage. Right after the marriage, inside two days, they had been calling me on the set. Toh fir mujh dhamki mil gayi thi ki tumhe do din baad set pe hi jana hai toh shaadi rehne hi do (Then I acquired the hazard that if you have to go to the set in two days then don’t get married). Then I said ‘no’ and I went to the units of the movie after 5 days.”

Vicky additionally spoke about how his lifestyles has modified after marrying Katrina. Sharing how she brings ‘peace’ to his life, Vicky said, “Marriage has been in reality stunning and it absolutely is a blessing to discover a accomplice for your self the place you surely experience like you have come again home. It’s a sukoon (peace) vala feeling. It’s a fantastic feeling, she is a beautiful human being. It is enjoyable dwelling and exploring existence with her. I am touring a lot with her, some thing I didn’t journey a lot before.”

Though they belong to the equal profession, Vicky stated that he and Katrina don’t talk about work a lot. “We don’t talk about work a lot. We are each from the identical industry, so we discuss about it however we don’t talk about scripts and all,” the actor said.

On the work front, Vicky will subsequent be viewed in Sam Bahadur, which is directed by way of Meghna Gulzar. The movie will launch in theatres on December 1 and will conflict with Ranbir Kapoor’s Animal. Katrina used to be closing considered with Salman Khan in the undercover agent thriller, Tiger three

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